"The Queen's Funeral March, Z. 860" by Henry Purcell, Les Trompettes des Plaisirs, Jean-François Madeuf was released on March 4, 2013. The duration of The Queen's Funeral March, Z. 860 is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. The Queen's Funeral March, Z. 860's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Purcell, Morley & Tomkins: English Royal Funeral Music". In this album, this song's track order is #3. The Queen's Funeral March, Z. 860 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Queen's Funeral March, Z. 860 by Henry Purcell, Les Trompettes des Plaisirs, Jean-François Madeuf having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 1: "Whence could so much virtue spring?" | Henry Purcell, Janet Baker, Patricia Clarke, English Chamber Orchestra, Thurston Dart, Anthony Lewis | C Minor | 1 | 5A | 68 BPM | ||
Oboe Concerto in G Minor: Allegro | Giovanni Benedetto Platti, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 2 | 6A | 104 BPM | ||
The Indian Queen, Z. 630 : Act II - The Masque Of Fame And Envy: Symphony | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 1 | 1B | 112 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Concerto For Harp In B-Flat Major: I. Andante Allegro | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 94 BPM | ||
Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Agrémens, Jean Tubéry | C Major | 2 | 8B | 86 BPM | ||
Ciaccona (I) | L'Arpeggiata, Christina Pluhar | C Major | 2 | 8B | 101 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM |
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