Dido and Aeneas / Act 1: "Whence could so much virtue spring?" - Henry Purcell, Janet Baker, Patricia Clarke, English Chamber Orchestra, Thurston Dart, Anthony Lewis Information

Acousticness: 98%
Danceability: 35%
Energy: 12%
Instrumentalness: 0%
Liveness: 12%
Loudness: 74%
Speechiness: 6%
Valence: 7%
Popularity: 3%
Loudness: -15.616 dB

Summary

"Dido and Aeneas / Act 1: "Whence could so much virtue spring?"" by Henry Purcell, Janet Baker, Patricia Clarke, English Chamber Orchestra, Thurston Dart, Anthony Lewis was released on January 1, 1962. The duration of Dido and Aeneas / Act 1: "Whence could so much virtue spring?" is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Dido and Aeneas / Act 1: "Whence could so much virtue spring?"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Dido and Aeneas / Act 1: "Whence could so much virtue spring?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dido and Aeneas / Act 1: "Whence could so much virtue spring?" BPM

With Dido and Aeneas / Act 1: "Whence could so much virtue spring?" by Henry Purcell, Janet Baker, Patricia Clarke, English Chamber Orchestra, Thurston Dart, Anthony Lewis having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Dido and Aeneas / Act 1: "Whence could so much virtue spring?" Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia in C major, RV 112: II. Andante	Karoly Botvay	C Minor	1	5A	112 BPM
Musiche sacre: No. 23, Canzon à 3	Francesco Cavalli, London Baroque	A♭ Minor	1	1A	122 BPM
The Fairy Queen, Z. 629 / Act 2: Prelude...Come, All Ye Songsters Of The Sky	Henry Purcell, Wynford Evans, English Baroque Soloists, John Eliot Gardiner	B Major	1	1B	104 BPM
Cello Concerto in D Minor, RV 407: I. Allegro	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	D Minor	1	7A	116 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Dido and Aeneas, Z. 626: Act III: Dido: Thy hand, Belinda; darkness shades me	Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble	G Major	0	9B	179 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
Lamento della ninfa, SV 163: Amor, amor	Claudio Monteverdi, Simone Kermes, Enrico Casazza, La Magnifica Comunità	A Minor	1	8A	95 BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	114 BPM
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova	François Couperin, Marina Baranova	A♭ Major	0	4B	69 BPM

ISRC: GBF076141204
Label: L-M Records/RCA Records

Section: 0.7011759281158447

End: 0.7074987888336182