Giuseppe Verdi, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus, Opera North Orchestra, David Parry made "Nabucco (Sung in English): Part II: The Blasphemy: Chorus of Levites: Woe to the traitor, he is accursed (Levites, Ismael)" available on January 1, 2006. With Nabucco (Sung in English): Part II: The Blasphemy: Chorus of Levites: Woe to the traitor, he is accursed (Levites, Ismael) being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Nabucco (Sung in English) by Giuseppe Verdi, Alan Opie. The song's track number on the album is #23 out of 46 tracks. In terms of popularity, Nabucco (Sung in English): Part II: The Blasphemy: Chorus of Levites: Woe to the traitor, he is accursed (Levites, Ismael) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Nabucco (Sung in English): Part II: The Blasphemy: Chorus of Levites: Woe to the traitor, he is accursed (Levites, Ismael) by Giuseppe Verdi, Alan Opie, Leonardo Capalbo, Alastair Miles, Susan Patterson, Jane Irwin, Dean Robinson, Paul Wade, Camilla Roberts, Opera North Chorus, Opera North Orchestra, David Parry has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Nabucco (Sung in English): Part II: The Blasphemy: Chorus of Levites: Woe to the traitor, he is accursed (Levites, Ismael) being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben? | Giuseppe Verdi, Walter Gullino, Plácido Domingo, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | A Major | 1 | 11B | 117 BPM | ||
Hymn of the Nations (Inno delle nazione) | Giuseppe Verdi, Luciano Pavarotti, Philharmonia Chorus, Philharmonia Orchestra, James Levine | A Minor | 2 | 8A | 168 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
La traviata*: Act I: Prelude | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | C Minor | 1 | 5A | 75 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus | B♭ Major | 2 | 6B | 116 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM |
Section: 0.8139941692352295
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