Giuseppe Verdi, Walter Gullino, Plácido Domingo, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus made "Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben?" available on January 1, 1980. The duration of Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben? is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben?'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #3 out of 34 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben? is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben? by Giuseppe Verdi, Walter Gullino, Plácido Domingo, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rigoletto / Act II: Duca, Duca! L'amante fu rapita a Rigoletto / Ebben? being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 2: Cortigiani, vil razza dannata | Giuseppe Verdi, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 80 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 14: No. 10c, Aria, "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | G Major | 1 | 9B | 75 BPM | ||
Simon Boccanegra / Prologue: Che dicesti? (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
Otello / Act 2: "Non ti crucciar" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 49 BPM | ||
Turandot / Act 1: La grazia, Principessa! - O divina bellezza (Coro / Calaf) | Giacomo Puccini, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Major | 2 | 1B | 82 BPM | ||
Don Carlo, Act I: Dio che nell'alma (Carlo/Rodrigo/Coro di Frati/Un frate) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Andrea Silvestrelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2 Scene 2: No. 15, Terzetto, "Ah! taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni) | Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra | A Major | 1 | 11B | 107 BPM | ||
Turandot / Act 1: Ah! Per l'ultima volta! (Timur, Liù, Ping, Pang, Pong, Calaf, Coro) | Giacomo Puccini, Barbara Hendricks, Heinz Zednik, Plácido Domingo, Francisco Araiza, Ruggero Raimondi, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | E Major | 5 | 12B | 80 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, June Anderson, Piero de Palma, Carlo de Bortoli, Roberto Scaltriti, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 77 BPM | ||
Stabat Mater: 7. Fac ut portem Christi mortem | Gioachino Rossini, Lucia Valentini Terrani, Philharmonia Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 92 BPM |
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