"Mozart: Don Giovanni, K. 527, Act 1 Scene 14: No. 10c, Aria, "Dalla sua pace" (Don Ottavio)" by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra was released on 1997. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Carlo Maria Giulini's "Mozart - Don Giovanni" album is number 26 out of 72. Mozart: Don Giovanni, K. 527, Act 1 Scene 14: No. 10c, Aria, "Dalla sua pace" (Don Ottavio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 14: No. 10c, Aria, "Dalla sua pace" (Don Ottavio) by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Così fan tutte, K. 588 / Act I: "Che sussurro! Che strepito!" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Angela Brower, Miah Persson, Rolando Villazón, Adam Plachetka, Mojca Erdmann, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Minor | 3 | 4A | 92 BPM | ||
Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum | Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Waltraud Meier, Berliner Philharmoniker | B♭ Major | 1 | 6B | 140 BPM | ||
Madama Butterfly: Act III, Lo so che alle sue pene | Giacomo Puccini, Lorin Maazel, Philharmonia Orchestra | F♯ Major | 4 | 2B | 98 BPM | ||
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
Tannhäuser - Paris version / Act 1: "Geliebter, sag, wo weilt dein Sinn?" | Richard Wagner, Plácido Domingo, Agnes Baltsa, Philharmonia Orchestra, Giuseppe Sinopoli | A Minor | 1 | 8A | 77 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Don Pasquale, Act II Prima Scena: Povero Ernesto! (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Minor | 0 | 5A | 68 BPM | ||
Manon Lescaut / Act 1: "Donna non vidi mai" | Giacomo Puccini, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | B♭ Major | 2 | 6B | 91 BPM |
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