"Lachrymae, Op. 48a: Variation 4: Allegro con moto" by Benjamin Britten, Philip Dukes, Royal Northern Sinfonia, Steuart Bedford was released on January 2, 2005. With Lachrymae, Op. 48a: Variation 4: Allegro con moto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 34 in Britten: Simple Symphony / Temporal Variations / Suite On English Folk Tunes by Benjamin Britten, Steuart Bedford. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Lachrymae, Op. 48a: Variation 4: Allegro con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lachrymae, Op. 48a: Variation 4: Allegro con moto by Benjamin Britten, Philip Dukes, Royal Northern Sinfonia, Steuart Bedford is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Two Aquarelles: Lento, ma non troppo | Frederick Delius, English Chamber Orchestra, Benjamin Britten | B♭ Minor | 0 | 3A | 133 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM | ||
Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
3 Pieces in Old Style: No. 3. Menuetto II | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | D Major | 1 | 10B | 119 BPM | ||
Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
5 Stücke im Volkston, Op. 102: 3. Nicht schnell, mit viel Ton zu spielen | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | A Major | 0 | 11B | 71 BPM |
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