"Two Aquarelles: Lento, ma non troppo" by Frederick Delius, English Chamber Orchestra, Benjamin Britten was released on 1969. The duration of Two Aquarelles: Lento, ma non troppo is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Two Aquarelles: Lento, ma non troppo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 10 in English Music for Strings by English Chamber Orchestra, Benjamin Britten. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Two Aquarelles: Lento, ma non troppo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Aquarelles: Lento, ma non troppo by Frederick Delius, English Chamber Orchestra, Benjamin Britten is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Caprice and Elegy: I. Caprice | Frederick Delius, Raphael Wallfisch, John York | D♭ Major | 0 | 3B | 85 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | ||
The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | ||
Mercure, Scene 1: La nuit | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 139 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Jean-Yves Thibaudet | A Minor | 0 | 8A | 63 BPM | ||
Delius: 2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring | Frederick Delius, Vernon Handley, London Philharmonic Orchestra | A Minor | 2 | 8A | 130 BPM | ||
Roses in a Box | Elena Kats-Chernin, William Howard | B Minor | 0 | 10A | 214 BPM |
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