Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia's 'Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: IV. Sarabanda' came out on March 4, 2014. The duration of Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: IV. Sarabanda is about 3 minutes long, at 3:09. Based on our data, "Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: IV. Sarabanda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. In terms of popularity, Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: IV. Sarabanda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: IV. Sarabanda by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: I. Intrada-Grave | Georg Philipp Telemann, Akademie für Alte Musik Berlin | F♯ Major | 0 | 2B | 98 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 2 | 7B | 106 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto for Recorder and Bassoon in F Major, TWV 52:F1: I. Largo | Georg Philipp Telemann, Cordevento, Erik Bosgraaf, Marije van der Ende | E Major | 1 | 12B | 89 BPM | ||
La Terpsichore: V. Première sicilienne. Rondeau | Jean-Féry Rebel, Jordi Savall | D♭ Major | 1 | 3B | 84 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
Bassoon Concerto in C Major, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh | F♯ Major | 2 | 2B | 103 BPM |
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