Georges Bizet, London Symphony Orchestra, Claudio Abbado's 'Carmen, WD 31: Entracte (Between Act II & III)' came out on January 1, 1978. The duration of Carmen, WD 31: Entracte (Between Act II & III) is about 3 minutes long, at 3:00. Based on our data, "Carmen, WD 31: Entracte (Between Act II & III)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 49 in Bizet: Carmen by Georges Bizet, Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen, WD 31: Entracte (Between Act II & III) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31: Entracte (Between Act II & III) by Georges Bizet, London Symphony Orchestra, Claudio Abbado is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Carmen, WD 31, Act I: Que son fils l'aime et la vénère... Eh bien, eh bien! | Georges Bizet, Plácido Domingo, Ileana Cotrubas, Robert Lloyd, London Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 118 BPM | ||
Carmen, WD 31 / Act II: "Amoureuse... ce n'est pas une raison" - "Halte-là! Qui va là?" | Georges Bizet, Gordon Sandison, Geoffrey Pogson, Yvonne Kenny, Alicia Nafé, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 88 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Dirge - This Ae Night | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | A♭ Major | 2 | 4B | 113 BPM | ||
Turandot (2002 Digital Remaster): Signore, ascolta | Giacomo Puccini, Montserrat Caballé, London Symphony Orchestra, Sir Charles Mackerras | F♯ Major | 1 | 2B | 85 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
Adagio for Strings | Samuel Barber, HAUSER, Robert Ziegler, London Symphony Orchestra | B♭ Minor | 2 | 3A | 79 BPM |
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