"Harmoniemusik Zu Don Giovanni: Ouvertura" by Oktavian Ensemble was released on March 22, 2010. The duration of Harmoniemusik Zu Don Giovanni: Ouvertura is about 3 minutes long, at 3:28. Based on our data, "Harmoniemusik Zu Don Giovanni: Ouvertura" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Oktavian Ensemble". In this album, this song's track order is #1. Based on our statistics, Harmoniemusik Zu Don Giovanni: Ouvertura's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmoniemusik Zu Don Giovanni: Ouvertura by Oktavian Ensemble having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Spanier in Peru, oder Rollas Tod, Act I: Ouverture | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
Clarinet Concerto No. 2 in E flat major Op.74: I: Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | A Minor | 0 | 8A | 176 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Symphony in B-Flat Major, Op. 3, No. 4, W. C4: II. Andantino, sempre piano | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 0 | 5B | 80 BPM | ||
Keyboard Concerto in D Major, Wq. 43/2, H. 472: I. Allegro di molto | Carl Philipp Emanuel Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | D Major | 2 | 10B | 148 BPM | ||
8 Pieces, Op. 39: No. 3. Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | G Major | 2 | 9B | 123 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Violin Concerto in D Major, Op. 3, No. 1: Allegro maestoso | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 136 BPM | ||
Harp Concerto in G Major: III. Vivace | Georg Christoph Wagenseil, Roberta Alessandrini, Mantova Orchestra, Vittorio Parisi | G Major | 1 | 9B | 77 BPM |
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