"Der Fischer und das Milchmädchen: X. Allemande" by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi was released on October 28, 2022. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi's "Meyerbeer: Overtures & Stage Music" album is number 13 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Der Fischer und das Milchmädchen: X. Allemande is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Fischer und das Milchmädchen: X. Allemande by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Robert le diable, Act 4: "Noble et belle Isabelle…Douce ivresse la tandresse" (Chorus) | Giacomo Meyerbeer, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | G Major | 1 | 9B | 148 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II (1) - Remastered 2024 | Johann Sebastian Bach, Hermann Scherchen, Vienna State Opera Orchestra | C Major | 0 | 8B | 75 BPM | ||
Sonatina in D Major, Wq. 96 H. 449: II. Allegro | Carl Philipp Emanuel Bach, Orazio Sciortino, Orchestra di Padova e del Veneto | E Minor | 0 | 9A | 139 BPM | ||
Symphonie Concertante in A Major, Op. 9 No. 2: II. Rondeau | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | B♭ Major | 0 | 6B | 126 BPM | ||
Piano Concerto in G Minor, Op. 33: II. Andante Sostenuto | Antonín Dvořák, Leonardo Pierdomenico, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | D Major | 0 | 10B | 104 BPM | ||
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM | ||
Overture in F Major, Op. 8, No. 3: III. Vivace | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | F Major | 1 | 7B | 168 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: II. Adagio | Luigi Boccherini, Zoltan Tokos, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Don Juan: VII. Divertissement No. 5 | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra) | Johann Sebastian Bach, L. Schmutzler, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 132 BPM |
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