Johann Sebastian Bach, L. Schmutzler, Moscow Chamber Orchestra, Constantine Orbelian made "French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra)" available on January 1, 1999. With French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 21 in Baby Needs Bach by Johann Sebastian Bach, Various Artists, Constantine Orbelian. Based on our statistics, French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra) by Johann Sebastian Bach, L. Schmutzler, Moscow Chamber Orchestra, Constantine Orbelian is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Var. 13 | Johann Sebastian Bach, Glenn Gould | G Major | 2 | 9B | 96 BPM | ||
Goldberg Variations, BWV 988: Var. 24, Canone all'ottava | Johann Sebastian Bach, Glenn Gould | D Major | 1 | 10B | 132 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Duo No. 2 for Violin and Viola in D Minor: III. Rondo. Allegro | Carl Stamitz, Gabriela Demeterová | D Major | 1 | 10B | 141 BPM | ||
Oboe Concerto in C Minor: I. Allegro ma poco | Christoph Förster, Lajos Lencsés, Budapest Strings, Karoly Botvay | E Minor | 1 | 9A | 89 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Winter (Winter): Introduction: Die Einleitung schildert die dicken Nebel | Franz Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | F Minor | 0 | 4A | 78 BPM | ||
Invocation (based on Mozart’s Le nozze di Figaro, K. 492) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | A Minor | 1 | 8A | 174 BPM |
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