Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper's 'Herz und Mund und Tat und Leben, BWV 147: Recitative: Verstockung kann Gewaltige verblenden (Bass)' came out on January 1, 2013. With Herz und Mund und Tat und Leben, BWV 147: Recitative: Verstockung kann Gewaltige verblenden (Bass) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 17 in Bach: Cantatas, BWV 12 & 147 by Johann Sebastian Bach, Arcis-Vocalisten Munich, Thomas Gropper. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Herz und Mund und Tat und Leben, BWV 147: Recitative: Verstockung kann Gewaltige verblenden (Bass) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Herz und Mund und Tat und Leben, BWV 147: Recitative: Verstockung kann Gewaltige verblenden (Bass) by Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wär Gott nicht mit uns diese Zeit | Johann Sebastian Bach, Hana Blaziková, Damien Guillon, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 3 | 11A | 98 BPM | ||
Music: Prelude In E Flat Minor - The Well-tempered Clavier, Book I | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | A♭ Minor | 0 | 1A | 139 BPM | ||
I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Matthäus-Passion, BWV 244, Seconda parte: Nr.33. Und wiewohl viel falsche Zeugen herzutraten (Evangelista, Testis I & II, Pontifex) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Tim Mead, Emiliano Gonzalez Toro, Christian Immler | A♭ Minor | 0 | 1A | 98 BPM | ||
I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Sytse Buwalda, Bas Ramselaar, Anneke Boeke, Knut Schoch, Frank Aarnink, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 1 | 3B | 83 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
II. Meine Seufzer, Meine Tränen BWV 13, Recitativo (Alto): Mein Liebster Gott | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Sytse Buwalda, Bas Ramselaar, Ruth Holton, Anneke Boeke, Johann Sebastian Bach, Pieter Jan Leusink | E Minor | 0 | 9A | 95 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink | D Major | 0 | 10B | 77 BPM | ||
Prelude in E Minor, BWV 932 (completed by P. Watchorn) | Peter Watchorn, Johann Sebastian Bach | E♭ Minor | 5 | 2A | 153 BPM |
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