Jascha Heifetz, Stephen Foster, Lucio Degani, Andrea Rucli's 'Jeanie with the Light Brown Hair (arr. J. Heifetz for violin and piano)' came out on October 7, 2014. The duration of Jeanie with the Light Brown Hair (arr. J. Heifetz for violin and piano) is about 3 minutes long, at 3:02. Based on our data, "Jeanie with the Light Brown Hair (arr. J. Heifetz for violin and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 18 in A War Concert: Transcriptions by Jascha Heifetz by Jascha Heifetz, Lucio Degani. Jeanie with the Light Brown Hair (arr. J. Heifetz for violin and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jeanie with the Light Brown Hair (arr. J. Heifetz for violin and piano) by Jascha Heifetz, Stephen Foster, Lucio Degani, Andrea Rucli is Lento (slowly), since this song has a tempo of 55 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Cantabile | Niccolò Paganini, Midori | D Major | 1 | 10B | 81 BPM | ||
3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | E♭ Minor | 4 | 2A | 119 BPM | ||
Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
Trio, Op. 90 "Dumky" in E Minor: Dumka III: Andante II | Antonín Dvořák, Jascha Heifetz | A Major | 1 | 11B | 90 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM |
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