George Frideric Handel, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski made "Giulio Cesare in Egitto, HWV 17 / Atto secondo: No. 23 Aria "L'angue offeso mai riposa" - Live" available on January 1, 2003. With this song being about 5 minutes long, at 5:21, "Giulio Cesare in Egitto, HWV 17 / Atto secondo: No. 23 Aria "L'angue offeso mai riposa" - Live" by George Frideric Handel, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski's "Handel: Giulio Cesare" album is number 20 out of 83. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Giulio Cesare in Egitto, HWV 17 / Atto secondo: No. 23 Aria "L'angue offeso mai riposa" - Live is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17 / Atto secondo: No. 23 Aria "L'angue offeso mai riposa" - Live by George Frideric Handel, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte II: Choeur: Quel chants doux et touchants! - Live | Christoph Willibald Gluck, Chorus Of Les Musiciens Du Louvre, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 108 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam | Antonio Vivaldi, Andrew Parrott, Taverner Players, Nancy Argenta, Taverner Choir | G Minor | 2 | 6A | 77 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte III: Récitative: Mais, d'où vient qu'il persiste - Live | Christoph Willibald Gluck, Mireille Delunsch, Les Musiciens du Louvre, Marc Minkowski | C Minor | 3 | 5A | 124 BPM | ||
Pausanius, the Betrayer of his Country. (1695), Z585 - original version: Sweeter Than Roses | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | F♯ Major | 1 | 2B | 136 BPM | ||
Serse, HWV 40 / Act I: "Eccoti il foglio, Elviro" | George Frideric Handel, Biagio Pizzuti, Vivica Genaux, Il Pomo D'oro, Maxim Emelyanychev | B♭ Major | 2 | 6B | 173 BPM | ||
Dido and Aeneas, Z. 626: Act II: Belinda, Chorus: Thanks to these lonesome vales | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | D♭ Minor | 0 | 12A | 119 BPM | ||
Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus] | William Christie | B♭ Major | 1 | 6B | 75 BPM | ||
Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM |
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