Antonio Vivaldi, Andrew Parrott, Taverner Players, Nancy Argenta, Taverner Choir made "Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam" available on January 1, 1994. With Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Gloria & Magnificat by Antonio Vivaldi, Andrew Parrott. The song's track number on the album is #20 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam by Antonio Vivaldi, Andrew Parrott, Taverner Players, Nancy Argenta, Taverner Choir has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Magnificat in G Minor, RV 610b: IV. Fecit potentiam being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
The 4 Seasons: Violin Concerto In F Major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): III Allegro | Sonatori de la Gioiosa Marca, Giuliano Carmignola, Antonio Vivaldi | C Major | 2 | 8B | 87 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Adagio | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 83 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM |
Section: 0.6437079906463623
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