Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini's 'Rigoletto / Act 3: E l'ami! - Sempre - La donna è mobile' came out on December 31, 2021. The duration of Rigoletto / Act 3: E l'ami! - Sempre - La donna è mobile is about 3 minutes long, at 3:08. Based on our data, "Rigoletto / Act 3: E l'ami! - Sempre - La donna è mobile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II's "Happy New Year - Classical Music" album is number 99 out of 123. The popularity of Rigoletto / Act 3: E l'ami! - Sempre - La donna è mobile is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rigoletto / Act 3: E l'ami! - Sempre - La donna è mobile by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
The Marriage Of Figaro KV.592 | Alfred Scholz, London Philharmonic Orchestra | D Major | 1 | 10B | 142 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Aida: Act I: Scene 2: Possente, possente Fthà | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | D Major | 0 | 10B | 92 BPM | ||
La traviata*: Act I: Prelude | Giuseppe Verdi, Monika Krause, Rannveig Braga, Ivica Neshybova, Yordy Ramiro, Georg Tichy, Peter Oswald, Pavol Maurery, Ladislav Neshyba, Jozef Spacek, Peter Subert, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | C Minor | 1 | 5A | 75 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Nabucco / Act 4: Oh! chi vegg'io | Giuseppe Verdi, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | G Major | 0 | 9B | 85 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |
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