Francesco Cavalli, Carlo Vistoli, Ensemble Sezione Aurea, Filippo Pantieri's 'Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore' came out on April 24, 2020. With Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 20 in Amor tiranno. Broken-hearted Lovers in Seventeenth-Century Venice by Carlo Vistoli, Sezione Aurea, Filippo Pantieri. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gli amori di Apollo e Dafne, Act III Scene 3: IV. A te ricorro, onnipotente Amore by Francesco Cavalli, Carlo Vistoli, Ensemble Sezione Aurea, Filippo Pantieri is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
La Calisto, Act I Scene 7: "Serenati o core" (Endimione) | Francesco Cavalli, René Jacobs, Graham Pushee, Alessandra Mantovani, Gilles Ragon, Concerto Vocale | C Major | 1 | 8B | 127 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
L'Egisto, Prologo: Tenebrose mie squadre (La Notte) | Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, David Tricou | D♭ Major | 1 | 3B | 71 BPM | ||
La Calisto, Act I Scene 5: "Chi non ti crederebbe" (Mercurio) | Francesco Cavalli, René Jacobs, Simon Keenlyside, Marcello Lippi, Maria Bayo, Concerto Vocale | A Major | 1 | 11B | 82 BPM | ||
Porpora: Semiramide riconosciuta, Act II: "Tradita, sprezzata" (Semiramide) | Nicola Porpora, Nathalie Stutzmann, Orfeo 55 | E♭ Minor | 4 | 2A | 101 BPM | ||
In furore iustissimae irae, RV 626: I. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 134 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Quatuor No. 6 in E Minor: VI. Modéré | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | E♭ Minor | 1 | 2A | 147 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM |
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