Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra made "Verdi: Aida, Act 4, Scene 2: "La fatal pietra sovra me si chiuse" (Radamès, Aida)" available on 1974. The duration of Verdi: Aida, Act 4, Scene 2: "La fatal pietra sovra me si chiuse" (Radamès, Aida) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Verdi: Aida, Act 4, Scene 2: "La fatal pietra sovra me si chiuse" (Radamès, Aida)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #21 out of 55 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Verdi: Aida, Act 4, Scene 2: "La fatal pietra sovra me si chiuse" (Radamès, Aida)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Verdi: Aida, Act 4, Scene 2: "La fatal pietra sovra me si chiuse" (Radamès, Aida) by Giuseppe Verdi, Riccardo Muti, Montserrat Caballé, Plácido Domingo, New Philharmonia Orchestra has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Aida, Act 4, Scene 2: "La fatal pietra sovra me si chiuse" (Radamès, Aida) being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni, K. 527, Act 1: Quartetto. "Non ti fidar, o misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, William Schimell, Wiener Philharmoniker | B♭ Major | 1 | 6B | 89 BPM | ||
Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo) | Giuseppe Verdi, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 1 | 5B | 72 BPM | ||
Bizet: Carmen: Je dis que rien ne m'epouvante - Act Three | Georges Bizet, Kiri Te Kanawa, José van Dam, Plácido Domingo | G Minor | 2 | 6A | 72 BPM | ||
Don Pasquale, Act II Prima Scena: Chercherò lontana terra (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | F Minor | 1 | 4A | 92 BPM | ||
Il pirata - Act II - Col sorriso d'innocenza (Mad Scene) - 1987 Remasterd | Vincenzo Bellini, Montserrat Caballé, Carlo Felice Cillario | F Major | 1 | 7B | 71 BPM | ||
Verdi: Aida, Act 2: "Gloria all'Egitto, ad Iside" (Il Re, Shiave, Prigionieri, Popolo, Ramfis, Sacerdoti, Aida, Radamès, Amneris, Amonasro) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | B♭ Major | 4 | 6B | 85 BPM | ||
Tannhäuser - Paris version / Act II: "Dort ist sie; nahe dich ihr ungestört!" - "Der Sänger klugen Weisen lauscht' ich sonst" | Richard Wagner, Cheryl Studer, Plácido Domingo, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 93 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Finch'han dal vino" (Don Giovanni) | Wolfgang Amadeus Mozart, Riccardo Muti, William Shimell, Wiener Philharmoniker | B♭ Major | 4 | 6B | 68 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) | Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 0 | 6B | 74 BPM |
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