"Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)" by Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker was released on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 9 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) by Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Erster Aufzug: "Kühlende Labung gab mir der Quell" | Richard Wagner, James King, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | F Major | 0 | 7B | 88 BPM | ||
Messa da Requiem: 2d. Liber scriptus | Giuseppe Verdi, Marilyn Horne, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F♯ Minor | 0 | 11A | 89 BPM | ||
Die Zauberflöte / Act 1: "Herr, ich bin zwar Verbrecherin" | Wolfgang Amadeus Mozart, Ruth Ziesak, Kurt Moll, Heinz Zednik, Uwe Heilmann, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 93 BPM | ||
Verdi: Aida, Act 1: "I sacri nomi di padre, d'amante" (Aida) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | A♭ Major | 1 | 4B | 80 BPM | ||
Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): No.19 Recit: E Susanna non vien! ...Aria: Dove sono i bei momenti (Countess) | Wolfgang Amadeus Mozart, Sena Jurinac/Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 4: Aria - Nos So Piu Cosa Son | Donato Di Stefano, Patrizia Pace, Roberto Frontali, Maria Pia Ionata, Hungarian State Opera Orchestra, Ingrid Kertesi, Natale de Carolis, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 1 | 5B | 100 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Le Nozze di Figaro, K. 492: Atto secondo. Scene 10 & 11. Antonio, il Conte, Susanna, la Contessa, Figaro "Ah, signor... signor" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Antonio Abete, Concerto Köln, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens | B♭ Major | 2 | 6B | 97 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Bewahret euch vor Weibertücken" | Wolfgang Amadeus Mozart, Manfred Röhrl, Martin Vantin, Berliner Philharmoniker, Karl Böhm | D♭ Major | 1 | 3B | 125 BPM |
Section: 0.6569104194641113
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