Wolfgang Amadeus Mozart, Riccardo Muti, William Shimell, Wiener Philharmoniker made "Mozart: Don Giovanni, K. 527, Act 1: "Finch'han dal vino" (Don Giovanni)" available on October 31, 1988. With Mozart: Don Giovanni, K. 527, Act 1: "Finch'han dal vino" (Don Giovanni) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 2 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Don Giovanni, K. 527, Act 1: "Finch'han dal vino" (Don Giovanni) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 1: "Finch'han dal vino" (Don Giovanni) by Wolfgang Amadeus Mozart, Riccardo Muti, William Shimell, Wiener Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra | B♭ Minor | 0 | 3A | 79 BPM | ||
La Traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 89 BPM | ||
La Bohème / Act 1: "Abasso, abbasso l'autor!" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 90 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "Cosa sento! tosto andate" | Wolfgang Amadeus Mozart, Thomas Hampson, Anthony Laciura, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 105 BPM | ||
Don Pasquale, Act I Seconda Scena: Bella siccome un angelo (Malatesta/Pasquale) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 126 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
La Traviata / Act 2: "Pura siccome un angelo" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 78 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 132 BPM | ||
Turandot / Act 2: Olà, Pang! Olà, Pong! | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 58 BPM | ||
Die Fledermaus / Act 2: Nr.8 Ensemble und Couplet: "Ach, meine Herr'n und Damen" | Johann Strauss II, Erika Köth, Regina Resnik, Walter Berry, Waldemar Kmentt, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 88 BPM |
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