Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic)
Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann
Louis Spohr Four Songbooks
1:14 September 8, 2023
BPM
83
Key
E Major
Camelot
12B

Embed

Share Link

Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) - Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann Information

Acousticness
99%
Danceability
15%
Energy
15%
Instrumentalness
4%
Liveness
10%
Loudness
61%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.526 dB

Summary

"Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic)" by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann was released on September 8, 2023. With Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 12 out of 24. On top of that, Germany appears to be the country where this track was created. Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) BPM

We consider the tempo marking of Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) by Vincenzo Bellini, Théophile Alexandre, Quatuor ZaïdeI Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret)Vincenzo Bellini, Théophile Alexandre, Quatuor ZaïdeB Minor110A128 BPM
Alexander’s Feast, HWV 75: Softly Sweet in Lydian Measures by George Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque OrchestraAlexander’s Feast, HWV 75: Softly Sweet in Lydian MeasuresGeorge Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque OrchestraD♭ Minor112A148 BPM
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus by Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble ContinuumDie Matthäus-Passion, BWV244: Recitativo: Trinket alle darausJohann Sebastian Bach, Benedikt Kristjánsson, Ensemble ContinuumB Major01B68 BPM
弦楽のための組曲: 第2楽章: I have a bonnet trimmed with blue/私の青い縁取りのボンネット by John Rutter, 石田泰尚, 石田組弦楽のための組曲: 第2楽章: I have a bonnet trimmed with blue/私の青い縁取りのボンネットJohn Rutter, 石田泰尚, 石田組F Major17B74 BPM
Silent Songs / 5 Songs: No. 3, La belle dame sans merci by Valentin Silvestrov, Hélène Grimaud, Konstantin KrimmelSilent Songs / 5 Songs: No. 3, La belle dame sans merciValentin Silvestrov, Hélène Grimaud, Konstantin KrimmelD Major110B132 BPM
Strauss, R: 8 Gedichte aus Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 3, Die NachtRichard Strauss, Sabine Devieilhe, Mathieu PordoyG Minor06A82 BPM
Le Ciel De Paris by Fanny HearstLe Ciel De ParisFanny HearstF Minor04A71 BPM
Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer by Antoine Boësset, Les Musiciens De Saint-Julien, François Lazarevitch, Julie RosetAirs de cour mis en tablature de luth: Si c’est un crime que l’aymerAntoine Boësset, Les Musiciens De Saint-Julien, François Lazarevitch, Julie RosetB♭ Major26B113 BPM
J. S. Bach: Kantate zum 1. Pfingsttag - Wer mich liebet, der wird mein Wort halten, BWV 74: VII. Nichts kann mich erretten by Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Chor der J. S. Bach-Stiftung, Rudolf LutzJ. S. Bach: Kantate zum 1. Pfingsttag - Wer mich liebet, der wird mein Wort halten, BWV 74: VII. Nichts kann mich errettenJohann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Chor der J. S. Bach-Stiftung, Rudolf LutzA♭ Minor11A125 BPM
Trois jours de vendange by Reynaldo Hahn, Véronique Gens, Susan ManoffTrois jours de vendangeReynaldo Hahn, Véronique Gens, Susan ManoffE♭ Minor12A73 BPM
ISRC
DEZC62355952
Label
L-M Records/RCA Records

Section: 0.5179693698883057

End: 0.5214600563049316