"Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic)" by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann was released on September 8, 2023. With Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann's "Louis Spohr Four Songbooks" album is number 12 out of 24. On top of that, Germany appears to be the country where this track was created. Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) by Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Alexander’s Feast, HWV 75: Softly Sweet in Lydian Measures | George Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM | ||
弦楽のための組曲: 第2楽章: I have a bonnet trimmed with blue/私の青い縁取りのボンネット | John Rutter, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Silent Songs / 5 Songs: No. 3, La belle dame sans merci | Valentin Silvestrov, Hélène Grimaud, Konstantin Krimmel | D Major | 1 | 10B | 132 BPM | ||
Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 3, Die Nacht | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Le Ciel De Paris | Fanny Hearst | F Minor | 0 | 4A | 71 BPM | ||
Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer | Antoine Boësset, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset | B♭ Major | 2 | 6B | 113 BPM | ||
J. S. Bach: Kantate zum 1. Pfingsttag - Wer mich liebet, der wird mein Wort halten, BWV 74: VII. Nichts kann mich erretten | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Chor der J. S. Bach-Stiftung, Rudolf Lutz | A♭ Minor | 1 | 1A | 125 BPM | ||
Trois jours de vendange | Reynaldo Hahn, Véronique Gens, Susan Manoff | E♭ Minor | 1 | 2A | 73 BPM |
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