Antoine Boësset, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset's 'Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer' came out on April 19, 2024. Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 8 out of 17 in Doux silence by Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Airs de cour mis en tablature de luth: Si c’est un crime que l’aymer by Antoine Boësset, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
He's Very Bossy | Wayne Hubbard | E♭ Major | 2 | 5B | 96 BPM | ||
Humilitas - O Victoria | Hildegard von Bingen, Romain Dayez, Jean-Paul Dessy | G Major | 2 | 9B | 130 BPM | ||
Nymphes des bois / Requiem aeternam, NJE 29.18 "La Déploration de Johannes Ockeghem": I. Nymphes des bois | Josquin des Prez, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn III - Sepulto Domino | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
32 courantes: No. 10, L'immortelle in D Minor | Ennemond Gaultier, Rolf Lislevand | D♭ Minor | 1 | 12A | 129 BPM | ||
Dances: Sic semper soleo | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Minor | 0 | 6A | 110 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: d. Presa. Spiritus quidem promptus est | Carlo Gesualdo, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Lambert: Vos mépris chaque jour | Michel Lambert, Lea Desandre, Thomas Dunford | B Minor | 1 | 10A | 69 BPM | ||
O que Balteira ora quer vingar | Anónimo, Manseliña | A Major | 3 | 11B | 158 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM |
Section: 0.4808390140533447
End: 0.48487353324890137