"Carmina Burana / 1. Primo vere: "Veris leta facies"" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. With this song being about 5 minutes long, at 5:10, "Carmina Burana / 1. Primo vere: "Veris leta facies"" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #3. Carmina Burana / 1. Primo vere: "Veris leta facies" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 1. Primo vere: "Veris leta facies" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 55 with a half-time of 28 BPM and a double-time of 110 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 71 BPM | ||
Carmina Burana: Fortune plango vulnera | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | B♭ Major | 2 | 6B | 134 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 2: No. 14, Couplets, "Votre toast, je peux vous le rendre" (Escamillo, Frasquita, Mercedes, Carmen, Chorus) | Georges Bizet, Robert Massard/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Major | 3 | 7B | 116 BPM | ||
Carmina Burana / Uf dem Anger: "Swaz hie gat umbe" - "Chume, chum geselle min" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | C Major | 0 | 8B | 74 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5 for Soprano and 8 Cellos, W. 389: I. Aria in A Minor (Cantilena. Adagio) | Heitor Villa-Lobos, Enrique Bátiz, Royal Philharmonic Orchestra | F Major | 1 | 7B | 104 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM |
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