"Carmina Burana / Uf dem Anger: "Swaz hie gat umbe" - "Chume, chum geselle min"" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. With this song being about 5 minutes long, at 4:44, "Carmina Burana / Uf dem Anger: "Swaz hie gat umbe" - "Chume, chum geselle min"" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Carmina Burana / Uf dem Anger: "Swaz hie gat umbe" - "Chume, chum geselle min" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / Uf dem Anger: "Swaz hie gat umbe" - "Chume, chum geselle min" by Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Abscheulicher! Wo eilst du hin? | Ludwig van Beethoven, Nina Stemme, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Major | 1 | 12B | 165 BPM | ||
Handel: Messiah, HWV 56, Part 3: I know that my Redeemer liveth (Soprano) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: I. Selig sind die da Leid tragen | Johannes Brahms, Rudolf Kempe, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Philharmoniker | B Major | 2 | 1B | 85 BPM | ||
Stabat Mater: Cujus animam gementem | Gioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
The Magic Flute, K. 620: Act I, No. 7. Duetto: "Bei Männern, welche Liebe fühlen" | Rundfunkorchester des Südwestfunks Baden-Baden | E♭ Major | 0 | 5B | 96 BPM | ||
Stabat Mater: Amen. In sempiterna saecula | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | C Minor | 5 | 5A | 76 BPM | ||
Gloria: Domine Deus, Agnus Dei | Antonio Vivaldi, Elinor Carter, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 0 | 12A | 179 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Ecce gratum | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | B♭ Major | 3 | 6B | 75 BPM | ||
Catulli Carmina: Exodium: Chorus: Eis aiona | Carl Orff, Annelies Kupper, Richard Holm, Hans Weissenbach, Walter Faith, Julius Karr-Bartoli, Kurt Prestel, Bavarian Radio Chorus, Josef Kugler, Eugen Jochum | F Minor | 6 | 4A | 99 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM |
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