"Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": I. Allegro vivace" by Franz Schubert, Alban Berg Quartett, Elisabeth Leonskaja, Georg Hortnagel was released on September 22, 1986. Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": I. Allegro vivace appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Schubert: Piano Quintet, D. 667 "The Trout"". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": I. Allegro vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": I. Allegro vivace by Franz Schubert, Alban Berg Quartett, Elisabeth Leonskaja, Georg Hortnagel having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Five pieces for Two Violins and Piano: III. Elegy- Andantino | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B♭ Minor | 0 | 3A | 103 BPM | ||
12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 12 | Lang Lang | C Major | 2 | 8B | 137 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
An den Mond (Geuss, lieber Mond), D. 193 | Franz Schubert, Wolfgang Holzmair, Ulrich Eisenlohr | A♭ Major | 0 | 4B | 86 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Sonatina in C Major, Op. 36 No. 3: III. Allegro | Muzio Clementi, Howard Shelley | G Major | 1 | 9B | 76 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM |
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