"Five pieces for Two Violins and Piano: III. Elegy- Andantino" by Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw was released on July 15, 2007. The duration of Five pieces for Two Violins and Piano: III. Elegy- Andantino is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Five pieces for Two Violins and Piano: III. Elegy- Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Shostakovich: Chamber Music". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Five pieces for Two Violins and Piano: III. Elegy- Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Five pieces for Two Violins and Piano: III. Elegy- Andantino by Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Piano Quartet No. 1 in C Minor, Op. 15: I. Allegro molto moderato | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | F♯ Minor | 0 | 11A | 84 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): I. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 88 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina: Adagio molto espressivo | Ludwig van Beethoven, Kodály Quartet | B♭ Major | 2 | 6B | 134 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): V. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 86 BPM | ||
Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": Piano Trio No. 4 in E Minor, Op. 90 - "Dumky Trio": I. Lento maestoso - Allegro quasi doppio movimento | Antonín Dvořák, Alexander Melnikov, Jean-Guihen Queyras, Isabelle Faust | E Major | 1 | 12B | 92 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Piano Quintet in C Minor: II. Scherzo: Allegro non troppo | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Major | 1 | 8B | 115 BPM | ||
String Quartet No. 15 in E-Flat Minor, Op. 144: VI. Epilogue | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM |
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