"Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 1 - Picture 1: You have gone on writing" by Modest Mussorgsky, Vladimir Galusin, Nikolai Ohotnikov, Mariinsky Orchestra, Valery Gergiev was released on January 1, 1998. Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 1 - Picture 1: You have gone on writing is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Modest Mussorgsky, Vladimir Vaneev, Vladimir Galusin, Nikolai Ohotnikov, Konstantin Pluzhnikov, Olga Borodina, Evgeny Nikitin, Mariinsky Orchestra, Valery Gergiev's "Mussorgsky: Boris Godunov" album is number 10 out of 63. On top of that, Netherlands appears to be the country where this track was created. The popularity of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 1 - Picture 1: You have gone on writing is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 1 - Picture 1: You have gone on writing by Modest Mussorgsky, Vladimir Galusin, Nikolai Ohotnikov, Mariinsky Orchestra, Valery Gergiev to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Boris Godunov | Modest Mussorgsky, Yevgeny Nesterenko, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yelena Obratsova, Yuri Mazurok | D♭ Major | 2 | 3B | 133 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM |
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