"Symphonies pour les soupers du roy / Quatrième Suitte: Sarabande" by Michel Richard Delalande, Orchestre de Chambre Paul Kuentz, Paul Kuentz was released on January 1, 1996. The duration of Symphonies pour les soupers du roy / Quatrième Suitte: Sarabande is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Symphonies pour les soupers du roy / Quatrième Suitte: Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adolf Scherbaum, Orchestre de Chambre Paul Kuentz, Paul Kuentz's "Lalande / Mouret: Simphonies & Fanfares" album is number 19 out of 41. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphonies pour les soupers du roy / Quatrième Suitte: Sarabande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonies pour les soupers du roy / Quatrième Suitte: Sarabande by Michel Richard Delalande, Orchestre de Chambre Paul Kuentz, Paul Kuentz to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Per un bacio | Barbara Strozzi, Berit Norbakken, Solmund Nystabakk | A Major | 0 | 11B | 129 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music: Air | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 91 BPM | ||
Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | E Minor | 1 | 9A | 98 BPM | ||
Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": IV. Pour trouver un bien fragile | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 135 BPM |
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