"Peter Grimes, Op.33 / Act 3: Interlude VI: Fog" by Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden had its release date on January 1, 1959. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Peter Grimes, Op.33 / Act 3: Interlude VI: Fog's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. Peter Grimes, Op.33 / Act 3: Interlude VI: Fog is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes, Op.33 / Act 3: Interlude VI: Fog by Benjamin Britten, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony | Henry Purcell, English Chamber Orchestra, Benjamin Britten | D Major | 3 | 10B | 81 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM | ||
A Song of the Night, Op. 19, No. 1, H. 74 | Gustav Holst, Janice Graham, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 68 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 1. Allegro | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 54 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |