Handel - Messiah, K. 572 (Sung in German): Machet das Tor weit (Chorus)
Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Handel: Messiah - Arranged by W.A. Mozart
3:15 January 1, 2000
BPM
96
Key
F Major
Camelot
7B

Embed

Share Link

Handel - Messiah, K. 572 (Sung in German): Machet das Tor weit (Chorus) - Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling Information

Acousticness
98%
Danceability
52%
Energy
25%
Instrumentalness
54%
Liveness
15%
Loudness
75%
Speechiness
3%
Valence
55%
Popularity
Loudness
-15.268 dB

Summary

Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling's ' "Handel - Messiah, K. 572 (Sung in German): Machet das Tor weit (Chorus)" was released on its scheduled release date, January 1, 2000. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart's "Handel: Messiah - Arranged by W.A. Mozart" album is number 12 out of 54. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Handel - Messiah, K. 572 (Sung in German): Machet das Tor weit (Chorus) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Handel - Messiah, K. 572 (Sung in German): Machet das Tor weit (Chorus) BPM

We consider the tempo marking of Handel - Messiah, K. 572 (Sung in German): Machet das Tor weit (Chorus) by Wolfgang Amadeus Mozart, Donna Brown, Cornelia Kallisch, Roberto Sacca, Alastair Miles, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Handel - Messiah, K. 572 (Sung in German): Machet das Tor weit (Chorus) Key

The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 3 in F Major, RV 293, "L'Autunno". I. AllegroAntonio Vivaldi, Sarah Chang, Orpheus Chamber OrchestraF Major17B118 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnPiano Concerto No. 1 in C Major, Op. 11, J. 98: II. AdagioCarl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnA♭ Major04B95 BPM
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausCanon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank MausD Major110B83 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana YablonskayaSchwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]Franz Liszt, Oxana YablonskayaD Major010B66 BPM
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace by Johannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkSerenade No. 2 in A Major, Op. 16: 2. Scherzo. VivaceJohannes Brahms, Royal Concertgebouw Orchestra, Bernard HaitinkA Major111B179 BPM
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto by Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert StankovskyPiano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenutoFelix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert StankovskyB♭ Major06B131 BPM
Nocturne No.6 In G Minor, Op.15 No.3 by Frédéric Chopin, Maurizio PolliniNocturne No.6 In G Minor, Op.15 No.3Frédéric Chopin, Maurizio PolliniD Minor07A105 BPM
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro by Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian BachConcerto For 4 Harpsichords In A Minor, BWV 1065: III. AllegroCologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian BachA Minor48A114 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energicoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigG Major29B90 BPM
ISRC
DEA559113771
Label
L-M Records/RCA Records