"Madama Butterfly: "Un bel dì vedremo" (Cio-Cio-San) - Full Vocal Version" by Giacomo Puccini, Compagnia D'Opera Italiana, Antonello Gotta, Gabriela Cegolea was released on 1997. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 14 in Cantolopera: Soprano Arias, Vol. 1 by Angela Venturino, Antonello Gotta, Compagnia D'Opera Italiana. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Madama Butterfly: "Un bel dì vedremo" (Cio-Cio-San) - Full Vocal Version's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Madama Butterfly: "Un bel dì vedremo" (Cio-Cio-San) - Full Vocal Version by Giacomo Puccini, Compagnia D'Opera Italiana, Antonello Gotta, Gabriela Cegolea is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) | Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E Major | 1 | 12B | 165 BPM | ||
Puccini: Suor Angelica: "Ho un desiderio anchi'io!" (Suor Dolcina, Suor Genovieffa, Suor Angelica, Una novizia, La sorela infermiera, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | D♭ Major | 0 | 3B | 78 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Ieri son salita tutta sola (Butterfly/Goro/Il Commissario/Coro/Sharpless/Ufficiale del Registro/Pinkerton) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Mario Rinaudo, Coro Del Teatro Dell'Opera Di Roma, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | A♭ Minor | 9 | 1A | 143 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM |
Section: 0.7376329898834229
End: 0.7419908046722412