"Lagrime di San Pietro (Tears of San Pietro): 18a parte - Non trovava mia fe se duro intoppo" by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter was released on January 1, 2003. With Lagrime di San Pietro (Tears of San Pietro): 18a parte - Non trovava mia fe se duro intoppo being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's "Lassus, O.: Lagrime Di San Pietro / Melancholia" album is number 18 out of 34. On top of that, Germany appears to be the country where this track was created. Lagrime di San Pietro (Tears of San Pietro): 18a parte - Non trovava mia fe se duro intoppo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro (Tears of San Pietro): 18a parte - Non trovava mia fe se duro intoppo by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mout me fu grief li departir / Robin m'aime, Robin m'a / Portare | Adam de la Halle, Tonus Peregrinus, Antony Pitts | G Major | 2 | 9B | 89 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Ave Maria, Op. 2, No. 2 | Edward Elgar, Jonathan Vaughn, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Major | 1 | 6B | 85 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
In Winter's House | Joanna Marsh, Owain Park, The Gesualdo Six | B♭ Major | 1 | 6B | 100 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Joy Of The Celestial Forces | "Drevnerussky Rospev" Male Choir | G Minor | 0 | 6A | 134 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM |
Section: 0.4791548252105713
End: 0.48557448387145996