"Symphony No. 5: II. Eighth Note = 70" by Erkki-Sven Tüür, Nguyên Lê, UMO Jazz Orchestra, Helsingin Kaupunginorkesteri, Olari Elts was released on October 14, 2014. Symphony No. 5: II. Eighth Note = 70 appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Tüür: Symphony No. 5 - Prophecy for Accordion & Orchestra". In this album, this song's track order is #2. Based on our statistics, Symphony No. 5: II. Eighth Note = 70's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 5: II. Eighth Note = 70 by Erkki-Sven Tüür, Nguyên Lê, UMO Jazz Orchestra, Helsingin Kaupunginorkesteri, Olari Elts having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
ERO ARCTICA: I Dance of the Sea Lion III | Christian Lindberg, Musica Vitae | D♭ Major | 5 | 3B | 78 BPM | ||
Symphony No. 5: III. Eighth Note = 130 | Erkki-Sven Tüür, Nguyên Lê, UMO Jazz Orchestra, Helsingin Kaupunginorkesteri, Olari Elts | F Minor | 5 | 4A | 133 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): IV. Bird Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | E Minor | 2 | 9A | 112 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Point of Tranquility: VI. Poco più mosso | Kenneth Fuchs, Sinfonia Of London, John Wilson | F Major | 0 | 7B | 76 BPM | ||
Ardor, Concerto for marimba and orchestra (2001/02): II | Erkki-Sven Tüür, Pedro Carneiro, Estonian National Symphony Orchestra, Olari Elts | A♭ Major | 1 | 4B | 60 BPM | ||
Clarinet Serenade: Gypsy Lament | Mitar Popescu | C Major | 4 | 8B | 92 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM |
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