Erkki-Sven Tüür, Nguyên Lê, UMO Jazz Orchestra, Helsingin Kaupunginorkesteri, Olari Elts's 'Symphony No. 5: III. Eighth Note = 130' came out on October 14, 2014. With this song being about 5 minutes long, at 5:26, "Symphony No. 5: III. Eighth Note = 130" by Erkki-Sven Tüür, Nguyên Lê, UMO Jazz Orchestra, Helsingin Kaupunginorkesteri, Olari Elts is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Tüür: Symphony No. 5 - Prophecy for Accordion & Orchestra". In this album, this song's track order is #3. Based on our statistics, Symphony No. 5: III. Eighth Note = 130's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphony No. 5: III. Eighth Note = 130 by Erkki-Sven Tüür, Nguyên Lê, UMO Jazz Orchestra, Helsingin Kaupunginorkesteri, Olari Elts having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: I. Largo | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Sauguet: Tableaux de Paris: V. Le canal Saint-Martin | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Concerto for Violin and Orchestra: IV. Fast | Julia Perry, Curtis J Stewart, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Orbits for Clarinet Solo: I. First Movement | Charles Camilleri, David Campbell, Godfrey Mifsud, Susanne Stanzeleit, Julian Jacobson | D Minor | 0 | 7A | 75 BPM | ||
Tüür : Action - Passion - Illusion : III Illusion | Erkki-Sven Tüür, Anu Tali, Nordic Symphony Orchestra | B Minor | 2 | 10A | 112 BPM | ||
Clarinet Serenade: Gypsy Lament | Mitar Popescu | C Major | 4 | 8B | 92 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM | ||
Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM |
Section: 0.6422226428985596
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