"Heldengedichte, Walzer, Op. 87" by Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker was released on January 7, 2023. Since Heldengedichte, Walzer, Op. 87 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Neujahrskonzert 2023 / New Year's Concert 2023 / Concert du Nouvel An 2023". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. In terms of popularity, Heldengedichte, Walzer, Op. 87 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Heldengedichte, Walzer, Op. 87 by Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Hereinspaziert! Walzer, Op. 518 | Carl Michael Ziehrer, Gustavo Dudamel, Wiener Philharmoniker | G Major | 2 | 9B | 99 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Symphony No. 40 in G Minor, K. 550: 1. Molto Allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 95 BPM | ||
Demolirer Polka OP. 269 | Wiener Philharmoniker, Clemens Krauss | A♭ Minor | 2 | 1A | 85 BPM | ||
Wiener Leben, Polka française, Op. 218 | Josef Strauss, Zubin Mehta, Wiener Philharmoniker | D Major | 2 | 10B | 83 BPM | ||
Casse-noisette : Danses de Casse-noisette | Wiener Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 128 BPM | ||
Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | N/A | N/A | N/A | 0 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |
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