Wiener Philharmoniker, Clemens Krauss made "Demolirer Polka OP. 269" available on May 1, 2009. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wiener Philharmoniker Live: 1941 - 1. Neujahrskonzert der Wiener Philharmoniker by Wiener Philharmoniker. The song's track number on the album is #5 out of 12 tracks. Based on our data, Austria was the country where this track was produced or recorded. Demolirer Polka OP. 269 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Demolirer Polka OP. 269 by Wiener Philharmoniker, Clemens Krauss has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Demolirer Polka OP. 269 being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Siegfried / Erster Aufzug: "Bist du es, Kind?" | Richard Wagner, Gerhard Stolze, Wolfgang Windgassen, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 2 | 4B | 90 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 0 | 7B | 134 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Mariss Jansons, Wiener Philharmoniker | A Major | 5 | 11B | 101 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 115 BPM | ||
Brennende Liebe, Polka mazur, Op. 129 | Josef Strauss, Mariss Jansons, Wiener Philharmoniker | G Major | 1 | 9B | 122 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM |
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