Wiener Philharmoniker, Herbert von Karajan's 'Casse-noisette : Danses de Casse-noisette' came out on August 6, 2016. The duration of Casse-noisette : Danses de Casse-noisette is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Casse-noisette : Danses de Casse-noisette's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Tchaïkovski : Casse-noisette". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Based on our statistics, Casse-noisette : Danses de Casse-noisette's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Casse-noisette : Danses de Casse-noisette by Wiener Philharmoniker, Herbert von Karajan having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Marche Hongroise | Hector Berlioz, Vakantieorkest Ad Hoc | G Major | 2 | 9B | 98 BPM | ||
Carmen / Act 1: Prélude | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | D Minor | 5 | 7A | 125 BPM | ||
Stephanie-Gavotte, Op. 312 | Alfons Czibulka, Riccardo Muti, Wiener Philharmoniker | G Major | 1 | 9B | 99 BPM | ||
La vita è bella | Nicola Piovani, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 131 BPM | ||
Casse-noisette : trepak, danse russe | Wiener Philharmoniker, Herbert von Karajan | D Major | 8 | 10B | 83 BPM | ||
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1] | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | D♭ Minor | 1 | 12A | 86 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM |
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