"Gianni Schicchi: O mio babbino caro" by Giacomo Puccini, Aleksandra Kurzak, Orchestra de la Comunitat Valenciana, Omer Meir Wellber was released on January 1, 2012. The duration of Gianni Schicchi: O mio babbino caro is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Gianni Schicchi: O mio babbino caro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera 2012". In this album, this song's track order is #9. The popularity of Gianni Schicchi: O mio babbino caro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gianni Schicchi: O mio babbino caro by Giacomo Puccini, Aleksandra Kurzak, Orchestra de la Comunitat Valenciana, Omer Meir Wellber having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sapho - opera in 3 Acts / Act 3: O ma lyre immortelle | Charles Gounod, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves Abel | B♭ Minor | 1 | 3A | 84 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 2 | 2B | 100 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
Norma / Act 1: Casta Diva [Norma] | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 59 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renata Tebaldi, New Philharmonia Orchestra, Oliviero de Fabritiis | B♭ Minor | 4 | 3A | 150 BPM |
Section: 0.667194128036499
End: 0.6721301078796387