Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset made "Le Pouvoir de l'Amour, Deuxième entrée Scène 1: Ritournelle" available on May 5, 2023. With Le Pouvoir de l'Amour, Deuxième entrée Scène 1: Ritournelle being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. The popularity of Le Pouvoir de l'Amour, Deuxième entrée Scène 1: Ritournelle is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Le Pouvoir de l'Amour, Deuxième entrée Scène 1: Ritournelle by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Les barricades mystérieuses | François Couperin, Jean-Patrice Brosse | D♭ Major | 3 | 3B | 128 BPM | ||
Zaïde, reine de Grenade, Acte III Scène 5: Air tendrement | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Major | 0 | 8B | 62 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 3 | 9A | 144 BPM | ||
Harpsichord Sonata in A Minor, Op. 3 No. 7, SF C740: V. Minuet | Benedetto Marcello, Roberto Loreggian | A♭ Minor | 2 | 1A | 82 BPM | ||
Le Pouvoir de l'Amour, Deuxième entrée Scène 7: Entrée pour les habitants du Pactole | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | D♭ Major | 2 | 3B | 134 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM |
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