Benedetto Marcello, Roberto Loreggian made "Harpsichord Sonata in A Minor, Op. 3 No. 7, SF C740: V. Minuet" available on May 1, 2001. With Harpsichord Sonata in A Minor, Op. 3 No. 7, SF C740: V. Minuet being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Benedetto Marcello, Roberto Loreggian's "Marcello: Harpsichord Sonatas" album is number 5 out of 42. Harpsichord Sonata in A Minor, Op. 3 No. 7, SF C740: V. Minuet is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Harpsichord Sonata in A Minor, Op. 3 No. 7, SF C740: V. Minuet by Benedetto Marcello, Roberto Loreggian to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ground, Z. D221 | Henry Purcell, Richard Egarr | B♭ Minor | 2 | 3A | 120 BPM | ||
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
48 Chorale Preludes, TWV 31: III. Komm, heiliger Geist, Herre Gott | Georg Philipp Telemann, Roberto Loreggian | G Major | 2 | 9B | 68 BPM | ||
Couperin: L'art de toucher le clavecin: Premier prélude | François Couperin, Gustav Leonhardt | A♭ Major | 0 | 4B | 69 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Violin Sonata in E-Flat Major: III. Allegro assai | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | A Major | 1 | 11B | 139 BPM | ||
Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo | Benedetto Marcello, Roberto Loreggian | A♭ Major | 3 | 4B | 89 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Pass'emezzo moderno | Diego Ortiz, Paolo Pandolfo | F♯ Major | 2 | 2B | 144 BPM |
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