Benedetto Marcello, Roberto Loreggian made "Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo" available on May 1, 2001. The duration of Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo is about 3 minutes long, at 3:28. Based on our data, "Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Benedetto Marcello, Roberto Loreggian's "Marcello: Harpsichord Sonatas" album is number 1 out of 42. Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Harpsichord Sonata in D Major, Op. 3 No. 1, SF C717a: I. Largo by Benedetto Marcello, Roberto Loreggian to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Cello in E Major, Op. 1, No. 3: I. Grave e staccato | Benedetto Marcello, Luca Aretini, Kauno kamerinis orkestras, Silvano Frontalini | G Major | 2 | 9B | 114 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
Concerto in G Minor: I. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 94 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Sonata for 2 Cellos, Op. 2 No. 1: III. Largo | Benedetto Marcello, Dmitri Dichtiar, Patrick Sepec, Annakatrin Beller, Thorsten Bleich, Kristian Nyquist | E♭ Minor | 0 | 2A | 118 BPM | ||
Sonata sesta for violino solo: II. Allegro [1] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 112 BPM |
Section: 0.5905261039733887
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