Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver's 'Stabat Mater, FP 148: 4. Quae moerebat' had a release date set for January 1, 1989. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Poulenc: Gloria; Stabat Mater". In this album, this song's track order is #10. Stabat Mater, FP 148: 4. Quae moerebat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater, FP 148: 4. Quae moerebat by Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance in F Major for Violin and Orchestra, Op. 50 | Isaac Stern, Boston Symphony Orchestra, Seiji Ozawa | F Major | 0 | 7B | 87 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
Immolation (With Our Lives, We Give Life) | John Williams, Boston Symphony Orchestra | F Major | 0 | 7B | 86 BPM | ||
Stabat Mater, FP 148: 11. Inflammatus et accensus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 2 | 1A | 86 BPM | ||
Messa di Gloria, Op.posth., Gloria: Gratias agimus tibi | Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: III. Clair de lune | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Poulenc: 2 poèmes de Louis Aragon, FP 122: No. 1, C | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | A♭ Minor | 1 | 1A | 88 BPM | ||
4 Lieder, Op. 27: 1. Ruhe, meine Seele! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | D Minor | 0 | 7A | 90 BPM | ||
Sechs Lieder, Op. 37, TrV 187: 3. Meinem Kinde | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 181 BPM |