- BPM
- 70
- Key
- D♭ Minor
- Camelot
- 12A
La Source - Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 6%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 6%
- Loudness
- -26.868 dB
Summary
"La Source" by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber was released on March 22, 2018. La Source is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber's "Lili Boulanger: Hymne au Soleil. Chorwerke" album is number 3 out of 15. La Source is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Source BPM
We consider the tempo marking of La Source by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
La Source Key
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | |
 | Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | |
 | 4 Notturnos, Op. 22: II. Nacht ist wie ein stilles Meer | Heinrich von Herzogenberg, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | B♭ Major | 1 | 6B | 111 BPM | |
 | Quatuor pour la fin du Temps: VII. Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst | E Major | 2 | 12B | 134 BPM | |
 | Britten: Serenade, Op. 31: III. Nocturne | Benjamin Britten, Ian Bostridge, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 76 BPM | |
 | Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | |
 | Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | |
 | Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | |
 | Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 89 BPM | |
 | 4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.887826681137085
End: 0.8933489322662354