Emilio Arrieta, Pedro Lavirgen, Michelangelo Veltri's 'Marina: Ese capitán, dúo. - 1968 Valencia Historical Live Recording' came out on June 5, 2023. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 11 in EMILIO ARRIETA: MARINA, 1968 Historical live recording, Pedro Lavirgen by Emilio Arrieta, Pedro Lavirgen, Michelangelo Veltri. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Marina: Ese capitán, dúo. - 1968 Valencia Historical Live Recording's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marina: Ese capitán, dúo. - 1968 Valencia Historical Live Recording by Emilio Arrieta, Pedro Lavirgen, Michelangelo Veltri is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Qui di sposa eterna fede...Ah, soltanto il nostro foco" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
L'Olimpiade, Act I Scene 9: Duetto. "Ne’giorni tuoi felici" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
La Rosa del Azafrán: Canción del Sembrador | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Messe pour le sacre de Napoléon: III. Gloria, Laudamus te | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | D Major | 2 | 10B | 76 BPM | ||
Puccini: Tosca, Act 1: "Mario! Mario! Mario! Son qui!" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Las Golondrinas, I parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM |
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