"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena seconda (Consiglio)" by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod was released on 2004. With Rappresentatione di Anima, et di Corpo, Atto secondo: Scena seconda (Consiglio) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. In terms of popularity, Rappresentatione di Anima, et di Corpo, Atto secondo: Scena seconda (Consiglio) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena seconda (Consiglio) by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
Mass For Four Voices: 4. Benedictus | Thomas Tallis, The Hilliard Ensemble | B Major | 2 | 1B | 125 BPM | ||
Passacalle, La Folie | Henri Le Bailly, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | G Minor | 1 | 6A | 104 BPM | ||
Canzoni et sonate: Sonata No. 13 (arr. E. Crees for brass) | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Minor | 0 | 6A | 97 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Rappresentatione di Anima et di Corpo: Scena VIII Nr. 53 Choro "Venite al ciel, diletti" | Emilio de' Cavalieri, Vienna Chamber Choir, Capella Academica Wien, Ensemble Wolfgang von Karajan, Sir Charles Mackerras | A Minor | 1 | 8A | 47 BPM | ||
Rappresentatione di Anima et di Corpo: Atto primo Scena I Nr. 1 "Il tempo, il tempo fugge" | Emilio de' Cavalieri, Theo Adam, Ensemble Wolfgang von Karajan, Capella Academica Wien, Sir Charles Mackerras | D Major | 3 | 10B | 85 BPM | ||
Pièces de viole, Cinquième livre, Suite No. 6: XVI. Le Rondeau Villeneuve | Marin Marais, La Rêveuse, Benjamin Perrot, Florence Bolton | F♯ Major | 1 | 2B | 114 BPM |
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