"Rappresentatione di Anima et di Corpo: Scena VIII Nr. 53 Choro "Venite al ciel, diletti"" by Emilio de' Cavalieri, Vienna Chamber Choir, Capella Academica Wien, Ensemble Wolfgang von Karajan, Sir Charles Mackerras was released on January 1, 1970. With Rappresentatione di Anima et di Corpo: Scena VIII Nr. 53 Choro "Venite al ciel, diletti" being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 42 in Cavalieri: Rappresentatione di Anima et di Corpo by Emilio de' Cavalieri, Tatiana Troyanos, Theo Adam, Vienna Chamber Choir, Ensemble Wolfgang von Karajan, Capella Academica Wien, Sir Charles Mackerras. Rappresentatione di Anima et di Corpo: Scena VIII Nr. 53 Choro "Venite al ciel, diletti" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di Anima et di Corpo: Scena VIII Nr. 53 Choro "Venite al ciel, diletti" by Emilio de' Cavalieri, Vienna Chamber Choir, Capella Academica Wien, Ensemble Wolfgang von Karajan, Sir Charles Mackerras is Lento (slowly), since this song has a tempo of 47 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Dream | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 119 BPM | ||
In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Salve Regina pour soprano, contre-ténor et basse continue: II. Ad te clamamus (Moderato) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | ||
Rappresentatione di Anima et di Corpo: Scena IX Nr. 90 Choro "Tenga ognun" | Emilio de' Cavalieri, Vienna Chamber Choir, Capella Academica Wien, Ensemble Wolfgang von Karajan, Sir Charles Mackerras | G Major | 1 | 9B | 119 BPM | ||
Thus the Ever Grateful Spring (Spring) | Henry Purcell, Sjaella | B♭ Minor | 1 | 3A | 69 BPM |
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