Franco Corelli made "Addio, Mia Bella Napoli" available on September 30, 2010. The duration of Addio, Mia Bella Napoli is about 3 minutes long, at 3:23. Based on our data, "Addio, Mia Bella Napoli" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Napolitaanse Liederen". In this album, this song's track order is #12. In terms of popularity, Addio, Mia Bella Napoli is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Addio, Mia Bella Napoli by Franco Corelli having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
La Gioconda / Act 4: "Suicidio! In questi fieri momenti" | Amilcare Ponchielli, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 1 | 11A | 97 BPM | ||
Amarilli (Recorded 1939) | Francesca Caccini, Beniamino Gigli | E Minor | 0 | 9A | 77 BPM | ||
Il barbiere di Siviglia / Act 1: "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" | Gioachino Rossini, Luigi Alva, Renato Cesari, Barna Kováts, Theodor Guschlbauer, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 136 BPM | ||
Messa da Requiem Ingemisco | Franco Corelli | F Major | 2 | 7B | 89 BPM | ||
Cavalleria Rusticana (1987 - Remaster): O Lola ch'hai di lattl la cammisa (Turiddu) | Pietro Mascagni, José Carreras, Riccardo Muti, Philharmonia Orchestra | F Minor | 0 | 4A | 96 BPM | ||
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Samson, recherchant ma présence ... Amour, viens aider ma faiblesse" | Camille Saint-Saëns, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 176 BPM |
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