Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 - Henryk Wieniawski, James Ehnes, Eduard Laurel Information

Acousticness: 96%
Danceability: 28%
Energy: 14%
Instrumentalness: 4%
Liveness: 8%
Loudness: 66%
Speechiness: 6%
Valence: 27%
Popularity: 8%
Loudness: -20.266 dB

Summary

Henryk Wieniawski, James Ehnes, Eduard Laurel's 'Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15' came out on January 1, 2000. Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 appears to be safe for all ages as it is not explicit. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #5 out of 12 tracks. Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 BPM

Since Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 by Henryk Wieniawski, James Ehnes, Eduard Laurel has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Theme original varie, Op. 15: Variations on an Original Theme in A Major, Op. 15 Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata in G Minor: II. Courante: Allegro con spirito	Henry Eccles, Amit Peled, Eliza Ching	G Minor	2	6A	127 BPM
Concerto for Viola & Orchestra: I. Andante comodo	William Walton, Yuri Bashmet, André Previn	D Minor	0	7A	87 BPM
3 Violin Duets (1996 Digital Remaster): II. Gavotte	Itzhak Perlman, Pinchas Zukerman	A Major	0	11B	110 BPM
Violin Concerto In D Major, Op. 35: II. Romance: Andante	Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn	G Major	1	9B	87 BPM
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto	Frédéric Chopin, Leif Ove Andsnes	E♭ Major	0	5B	148 BPM
Variations on "God Save The King" for Solo Violin, Op. 9	Niccolò Paganini, Roman Kim	G Major	2	9B	99 BPM
Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor	Henryk Wieniawski, Itzhak Perlman	D Minor	3	7A	106 BPM
Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto	Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula	A Major	1	11B	125 BPM
Introduction et Rondo capriccioso, Op. 28, R. 188: I. Introduction	Camille Saint-Saëns, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	A Minor	0	8A	177 BPM
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo (Vivace)	Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda	D Major	1	10B	107 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6946737766265869

End: 0.7004599571228027