"Armide: Act V, Scene 1: Passacaille" by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Gilles Ragon, Philippe Herreweghe was released on 1993. Armide: Act V, Scene 1: Passacaille appears to be safe for all ages as it is not explicit. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 13 out of 39. Armide: Act V, Scene 1: Passacaille is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act V, Scene 1: Passacaille by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Gilles Ragon, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Acis & Galatée / Act 2: Quelque fureur qui l'inspire | Jean-Baptiste Lully, Françoise Masset, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski | G Major | 2 | 9B | 149 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 132 BPM | ||
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Acis & Galatée / Act 1: "Le fier Polyphème s'avance" / "Je regarde partout" | Jean-Baptiste Lully, Françoise Masset, Laurent Naouri, Les Musiciens du Louvre, Marc Minkowski | C Minor | 1 | 5A | 128 BPM | ||
Requiem, K. 626: I. Introitus - Requiem aeternam | Wolfgang Amadeus Mozart, Sybilla Rubens, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | B Major | 2 | 1B | 91 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
Rameau: Pygmalion: Ouverture | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D♭ Major | 3 | 3B | 135 BPM |
Section: 0.5318794250488281
End: 0.5371525287628174